A black and white landscape of a mountainous Cairngorms in Scotland with a small stream in the foreground, grassy terrain, rocks, and hills in the background. Part of a literary series looking at writers Journeys, focusing on Nan Shepherd.

news

05.08. 2025

It was a mission to get to university, not many of my peers went to university. The ones that did not at 18, I went at 21 and left with crippling debt, wracked with the idea I had made a bad decision. As I made my way home with my tail tucked firmly between my legs. coming back to the North of England was hard but living in London was beyond my means. Ten years later I’m making it work my own way up North, I might never be in the room but I’m always out in the field. The Aesthetica Art Prize is one that takes place in York and I’ve been shortlisted this year. Which feels like an acceptance of not being able to be in those places just maybe finding the right ones for me. https://aestheticamagazine.com/from-memory-to-possibility-the-aesthetica-art-prize-2025/

I’ve been on some assignments for The Times, working on two new commissions. One is focused on neuroaffirming care / practice and tree planting for the lovely legends that are Raise. The other is around rural people and place for a National Landscape.

02.08.2025

Earlier in the year I spoke Aidan Moseby, an incredible curator focused on making change in the arts, about the safety of being able to risks and feel supported as neurodiverse artist. The Towards New Worlds show was open at MIMA, showing alongside the amazing Lousie Mclachlan - we both speak about our experiences in this podcast. Huge thanks to Disability arts online for the interview. The Listen here

The middle of July saw my dipping into the coast at Sussex for a swim on stoney beaches after a wonderful talk with Romney of Montague farms. I visited Romney to get to know her a little better, talked nature an toured the farm before we did a public talk at Farleys. Showing the Daughters of the Soil work there felt a real moment for me. The work came down a few weeks ago but will be touring in the North West of England in 2026.

29.06.2025

A big thank you to the bloody incredible folks at the Working class database. Not only for all they do but inviting me to show work as part of ‘Many Hands’ at Sunnybank Mills, opening July 12th. Find the flyer and a link with more information below.

A couple of months ago I was invited to show work at Access All Areas as part of disability day. I’ve been cooking up something new, maybe domestic. wait and see.

An art installation,featuring a red semi-transparent vinyl curtain wall with archival black and white photographs attached, separating a dark room with shadows on the wall from a bright, open space with ceiling spotlights.

02.06.2025

Thank you to Ella for interviewing on ‘No Trust fund, No Problem - creatives making work in the Arts’ on Service95 I mean I still don’t think I’ve made it as I get ready for the nights milking shift and hastily update my website that needs an overhaul. Class is one of the main issues facing the sector as working class artist shrink to only 8% of those working in the UK.

It’s June, we slowly roll nights lighter then midsummer comes around. Celebrate midsummer, gender and class in a festival featuring many talented folks. I have loved programming this in collaboration with the incredible team at Timespan. Events are a key part of my practice and work. 2 Travel bursaries available!! https://timespan.org.uk/programme/events/salt-silver/

Feature on Daughters of the soil, NOW OPEN (!) at Farley’s House & Gallery. Massively nerding out here but can not believe I am showing work in Lee Miller’s home in a agricultural barn that also used to be a dairy farm! https://www.farmersguardian.com/feature/4414039/rural-photographer-focuses-women-farming-overlooked

06.05.2025

There’s chance to do a workshop with me at Stills on June 8th 2025. Tickets here >> (plus one FREE bursary place!) https://stills.org/product/masterclass-joanne-coates/

Reignite IX celebrates York’s emerging talent and reinforces the city’s commitment to shaping the future of the creative industries. I’m going to be sharing trouble, strife and hope for the future of the arts in my keynote chat. No pressure then! Tickets here: https://www.eventbrite.co.uk/e/reignite-ix-the-next-generation-tickets-1348091661449?aff=oddtdtcreator

EEEE, Excited that I got to be on Woman’s Hour talking about ‘Red Herring’ and the Herring girls. Listen here at the 48 min mark. https://www.bbc.co.uk/food/programmes/m0029zcy

Chatting the incredible Stellar Quines on BBC Scotland Arts mix about ‘Red Herring’ https://www.bbc.co.uk/programmes/m0029ymx

Towards new worlds the ground breaking show that opening at MIMA last year featuring 15 deaf, disbaled and neurodivergent artists is now coming to Disability Arts online. Join us for a talk with Curator Aidan Moseby and Artist Sam Metz, alongside yours truly. Really exciting to have work in new formats! May 21st online - https://disabilityarts.online/events/towards-new-worlds-digital-exhibition-opening/

01.04.2025

Red Herring opened on Saturday at Timespan. Open daily 10am - 4pm!

Saw a glimpse of the outdoor work on at Photo Frome - Opening this weekend!!

Featured in this review on the Guardian of the touring show now on at Stills.

There was a lovely review featuring ‘Poppy’ from Daughters of the Soil in The Independent at the weekend.

22.03.2025

Mainly I’ve been getting ready for ‘Red Herring’ opening at Timespan March 29th. Expect ceramics, performance and photography. Examining class. Red Herring is a collaborative visual exhibition by visual artist Joanne Coates, exploring the legacy of the Herring Girls—a migrant female workforce central to the fishing industry between the 19th and 20th centuries. Through photography, ceramics, installation, archival materials, performance, and a newly co-created herring crown, Coates examines women’s labour, class solidarity, and the enduring inequalities that continue to shape working-class women’s lives today.

Developed during a six-month residency at Timespan in Helmsdale, the project is deeply rooted in community collaboration and deep archival research. A central element of the exhibition is a series of photographic performances in which Coates reenacts the movements and routines of the gutting girls, drawing from fragmentary memories passed down through generations. More info here.

Have some work in this show opening at Stills in Edinburgh this week.

Massive thank you to Nicola Chester for the mention of Roova arts in this months Countyfile magazine, ‘The Countryside is fertile ground for inspiring creative collaborations’.

A week of guest lecturing at Glasgow School of Art and Middlesex university. Ta for having me.

24.01.2025

Last night ‘Lives less ordinary’ opened at Two Temple Place. I have two pieces from The Lie of the Land in the show. Private views are something I rarely get to attend. For me taking the time off work on a low income and juggling work, being so far out of cities it can be hard. I will get to one eventually. Sad to miss this and the incredible folks in the show.

Show announcement over on Farley’s for summer 2025

21.01.2025

I’m featured on this episode of really interesting series called ‘Story of Us’ Watch here (No I can’t quite believe it either lads) or live on BBC 2 on 9pm 22nd January. After a real struggle to be in the arts, and embracing my dual work as farm labourer, its a relief to know people will accept you. This episode really shows why the arts is needed what is capable of, and how it can better society. I might have shed a tear.

I’m up in the Highlands of Scotland working on a new series, launching at Timespan early April.

Honoured (No but I actually really am) to be part of Lives Less Ordinary opening at Two Temple place this weekend (January 25th). Massive thank you to curator Samantha Manton for putting all this together. (Whilst being a new mum, incredible.)

Interview with my favourite sociologist Mark Shucksmith over on Transforming Society. How can academic research inform work?

Assignment work for The Times on Men’s mental health, meeting incredible people at St James Place Newcastle.

Doing a course on Art, ecology and land at Black mountains college.

Visiting Wales to see the incredible Valleys museum in Cardiff. Read about it here in my cultural round up of the year.

Christmas was largely spent in my dual role of farm labourer. Milking cows.

Really lovely to host a workshop with Venezuelan photo festival. We had a translator and talked about themes of nature in the city. It was lush to connect with different ideas. Thanks to the British Council in Venezuela.

27.11.2024

In the throes of existential dread so my website still needs updating. (soz)

I’ve been yapping again. As a nervous speaker a massive thank you to Tom and Rich for the lovely chat on Camera Cafe, we talked milking cows, working dual jobs as an artist and life on the land. Listen here.

In case you want more A bit of a different chat with Daniel Rad on thinking about rural places, poverty and hope over on Ferncast. Listen here

Review of After the End of History by Tom Denman here

22.11.2024

Currently back up in the highlands making long form work with communities my favourite!

Massive thank you to Chris of documentary storytellers for having me on. You can listen to the piece recorded in 2023 here

06.11.2024

Reallllllly over the moon to have work in what looks to be a incredible show about class in the UK, ‘Lives less ordinary: Working Class Britain Re-seen at Two Temple Palace.

04.11.2024

November has rolled in. I’ve been writing, researching, thinking, reading, farming and doing loads of online meetings that make me want to be outside. A huge thank you to Neave Herridge for this lovely feature currently in the November issue of living north magazine. https://www.livingnorth.com/article/meet-northern-artist-giving-voice-rural-working-class-women

Eeee getting to speak at Photo Fringe symposium, link for tickets here

A magazine page featuring four women in various outdoor and indoor settings, with the headline "Homeward Bound" and an article about artist Jo Coates's work photographing rural working class women in the North.

A few bits of quite exciting news, I was really surpirsed to be nominated for the Deutsche Borse prize this year. It is something I have followed since I first studied in London and one of my first engagements with the medium. I will be showing at Photo Frome festival in April 2025 (new work incoming), and showing at the incredible Farley’s in May - June 2025. https://www.farleyshouseandgallery.co.uk/exhibition-detail/daughters-of-the-soil/

I’ve been working on my website but juggling long days of work. (It’s coming, I promise!) I still haven’t had a proper day off since 2023 and very much feeling it. I am heading into hibernation and practicing working at a slower pace from this week.

Really lovely video showing the installation at Vane gallery a few years in 2022, https://www.youtube.com/watch?v=t7CNX86ls14 (including snippets of the sound collaboration with Erland Cooper.)

A big thank you to Bishorpthorpe club for having me to speak last week, and for the students from York university for the informal chats too!

A huge thank you to Roisin Kennan for this interview up on the State of the Arts.

Big thanks to Farming Outlook for having me on to talk about Nature Friendly Farming and some excellent folks here

28.10.2024

Towards new worlds is an extraordinary show. At the opening I felt so overwhelmed to be amongst so many brilliant artists. Feeling excited by the show and this review by Kate Tobin (an excellent writer worth having a read of their other pieces too) in Wallpaper*

I’ve been working up in the highlands at a space I’ve admired for years. Previously passing through, enjoying the shows as spectator. I’m grateful to be artist in residence making new work around labour and gender at Timespan.

22.09.2024

Huge thanks to the brilliant Philippa Kelly for the interview about Middle of Somewhere (on at Baltic Centre for contemporary art until November 17th) read here

I’m working with Baltic on an film screening event in November featuring two incredible artists films / work Warren Harrison and Andrew Black. More here

Lots of admin, lots of delicious online meetings, and time on the farm working,. Much time spent thinking about the roots of my practice, and care. How this work with the land, care for the non human filters through into my work as a visual artist.

Last weekend I spoke at and hosted a mini workshop for a Union event in County Durham, the organisation was new to me but they are doing wonderful work and activism. Strongly recommend

17.09.2024

Timespan is one of my all time favourite art spaces in the UK. I have been in the Highlands of Scotland researching for new work. I spent a week as artist in Residence and will be spending more time there over the next few months making exciting new work. Of course it’s about class, of course.

I have some work in a show opening at Fountains Mill, Fountains Abbey in North Yorkshire. I played a very small part in the Skell Valley Voices project. More info here Wonderful people appreciating nature and place.

Image of a man with grey in woodland looking at a tree

Portrait of Neil from The Skell Valley Voices Exhibition

Thank you the Daniel Hall, the rural reporter at the Chronicle for the feature here

29.08.2024

I’ve had work acquired by the government art collection, and I still can’t quite believe it. Three works from the series Lie of the Land now sit within the collection.

Interview with the government art collection. It was so lovely to meet the team and chat to Leigh Anne this summer. https://artcollection.dcms.gov.uk/stories/art-questions-with-joanne-coates/

14.08.2024

I adore the writing of Jennifer Jasmine White and loved this piece on her substack (Even got a shout out, cannot believe these wonderful people know my work).

Lovely article about the show at MIMA here Towards New Worlds on Ocula

Hopeful work for Die Zeit last week here working with writer Simon Langemann

A handmade protest sign attached to a brick wall reads: 'Leave our town! We don't need this' with hearts and exclamation marks, in front of a neighborhood with brick houses under an overcast sky.

06.08.2024

Nice to find out I was shortlisted for the Hopper Prize today.

A pair of green overalls hangs on a white wall next to a vertical black panel displaying six identical images of a night scene with glowing vertical lights and what appears to be a landscape or construction site, in an art gallery setting with wooden flooring.

Brilliant to have this work in MIMA until February 2025. Making work about my diagnosis was difficult and vulnerable. It is something I don’t often speak about for fear of not getting work as a freelancer or for fear as not being seen as useful in my own community. A big thank to Arts Council England, I was able to make this work as part of my DYCP, looking at creating a practice in my own community and rural space.


19.07.2024

Apparently I have not had enough of driving around the country… Today travelled down to Cheltenham to make a post election portrait with a MP who lost their seat and I’m on way to Kestle Barton in Cornwall to talk about my connection with the land as an artist.

Review of work in Towards New Worlds by another talented writer Philippa Kelly in the Art Newspaper. https://www.theartnewspaper.com/2024/07/19/groundbreaking-uk-exhibition-spotlights-work-of-disabled-ddeaf-and-neurodivergent-artists

Last night was the opening of Towards New Worlds. Was I nervous sharing new experimental work - yes! The show on until February 2025 at MIMA

You can find a review of The Middle of Somewhere show currently on at The Baltic by a wonderful writer, Kate Anne Tobin, in the current issue of Aesthetica (June / July issue 119)

Earlier this year I had one of the most nourishing chats with the amazing human that is Bella Milroy, It is part of the Further Afield series looking at Arts, disability and rurality. You can also find a wonderful response as part of the project written by wonderful and talented Louisa Adjoa Parker Now available here >> https://levelcentre.com/further-afield-joanne-coates-louisa-adjoa-parker/

Having a hard time amongst the crowds in London whilst I look at post election / pre recess Westminster BUTBUTBUT it’s quite exciting even if I am losing my sense of identity in the city.

Lots of time missing my dog while I travelled over 6500 miles around the UK covering the election. Some info here and here and also here

I have some work up as part of Swaledale Farming Film & Photography Festival. Feat me fellow Nature Friendly Farming Champions. Find out more about the Custodians of the Soil work here https://www.thestation.co.uk/Whats-On/Exhibitions/Custodians-of-the-Soil-Swaledale-Farming-Film-and-Photography-Festival-2024

31.05.2024

Became the Election Artist! - Further information here https://committees.parliament.uk/committee/301/speakers-advisory-committee-on-works-of-art/content/116399/election-artist/

Found out I was nonimated for the Election Artist of 2024. Went through interviews.

Moved house. (15 minutes away from where we were before)

Finished making work for https://mima.art/exhibition/towards-new-worlds/ opening in July 2024!

14.05.2024

Find me making new work for this wonderful show https://mima.art/exhibition/towards-new-worlds/ getting ready to exhibit work around nature friendly farming, and being done in.

Opened a solo show at THE BLOODY Baltic. From now till November 17th Wed - Sunday https://baltic.art/whats-on/0P-joanne-coates-the-vasseur-baltic-artists-awardmiddle-of-somewhere/

Did an interview with the lovely NARC magazine

Got a review from one of my favourite writers Charlotte Jansen in the Guardian

Did some farm work, didn’t get a day off <3

Got a dead exciting new commission looking at hidden histories of working class people in North Yorkshire.

https://tribunemag.co.uk/2024/04/photography-against-the-end-of-history-photography-exhibition-working-class

After the End of History: British Working Class Photography 1989 – 2024. explores life through the lenses of working class artists, who have not only turned their gaze to their own communities, but also out towards the wider world. The result is a breadth of photographic work that not only celebrates contemporary working class life, championing its diversity and beauty, but also challenges perceptions of it, whilst offering a counterintuitive picture of our broader landscape. I’m really excited to be part of this work visualising working class photographers through the working class perspective. Touring across the UK. https://www.southbankcentre.co.uk/touring-programme/hayward-gallery-touring/exhibitions/after-end-history-british-working-class-photography-1989-2024

T H E M I D D L E O F S O M E W H E R E

Rural places are often seen as ‘idyllic’ or ‘remote’. Places that are often seeing the effects of climate first hand. What does this mean for young people who live here? Who can afford to live there? The middle of somewhere is a collaborative work using photography, sound, video and installation to tell a different story around class, climate, the cost of living and the countryside. I’ve been making work in Orkney, and the North East Yorkshire Dales. If you are effected by any of the above I would love to chat to you too. For now I am making work in those two areas but I will be opening this out from summer 2024. This work is made possible by the generous support of the The Vasseur Baltic Artists' Award and will be display May 10th - November 17th at The Baltic Centre for Contemporary Art in Gateshead.

More information available here: https://baltic.art/whats-on/0P-joanne-coates-the-vasseur-baltic-artists-award/

If you would like to take part. You can contact me on hello@joannecoates.co.uk

A woman standing on an empty rural road with green fields and a house in the background, wearing a beige sweater and blue jeans, with a cloudy, foggy sky.

Aisling, From the Middle of Somewhere

A muddy dirt road flanked by stone walls under a foggy sky in a rural landscape.

I was asked to write about artist place making for lush Art Network North East. You can read my response here >>> https://anne.art/artists-make-places-joanne-coates/

I’ve had work acquired and now in the collection of Middlesbrough Museum of Modern Art. Liznojan was the project where I found my voice, visually. I walked along point of class conflict from the North West to the North East of England. It was my final project at University, London College of Communication. The work was completed in 2015 and began in 2013. It was an honour to revisit this work. It is where I realised I was able to make work about my rural roots and home. A body of work that enabled me to know it was ok to move home after University. A massive thank you to MIMA, one of my all time favourite collections!

A landscape view of a grassy hillside with small pools of water reflecting the sky, under a bright overcast sky.



I was invited by MIMA to accompany several artists down to Boulby’s underground laboratory. Images from the trips alongside some reflections can be seen in the newest issue of MIMA zine. (Click on the image to have a read.)

I currently have from the series ‘Herdship’ on display at Middlesbrough Museum of Modern Art until 22nd December 2023.

The work was commissioned by the TeesSwale programme, The Northern Pennines AONB and The Yorkshire Dales National Park.

A woman with short blonde hair and red lipstick standing outdoors in front of a background of brown autumn leaves, wearing a black sparkly top.

Ingrid Hall, The Well Being Hub Wallsend, for Sabe the children, Cost of Living Heroes. https://www.theguardian.com/world/2023/mar/09/cost-of-living-champions-women-battling-the-crisis

Four women standing together at an art gallery, smiling, with colorful hanging decorations above.

Talk recording from Photography & Representation with brilliant Amara Eno, Maryam Wahid and Ciara Leeming.

https://www.impressions-gallery.com/resource/seminar-photography-representation/

Thank you to Geoff Harris for the mention in Amateur Photographer. Really interesting take on rural depictions. https://amateurphotographer.com/latest/opinion/why-is-so-much-landscape-photography-dishonest/?fbclid=IwAR2nN4kYp1Se5IypXcyd9jM7E2mafgJgIKnq1CIWdMT04ctteDPYCQYpluw

Big thank you to Caught by the river for the write up, https://www.caughtbytheriver.net/2023/04/the-lie-of-the-land-joanne-coates/?fbclid=IwAR0Zvt7SVEx0Yj4EbqSjZz7OuUWKeWG8jci5F6RqtL-DtzCrFHOjRIekhbM

Evocative Photos of Working Class Life in Rural England

Interview with High life North Award-winning photographer Joanne Coates on her quiet rebellion against inequality

G R O W & G A T H E R || A commission around the working class hidden history of allotments// Redcar palace // install photos from Millie, Beth & Joe at Redcar Palace // massive thank you to all the team for all your support.

Exhibition space with a dark wall displaying three photographs, a sign titled 'TIPS', and an informational board about the 'Grow and Gather' event occurring from June 3rd to July 22nd. There is a wooden chair and potted plants in the space.

Last week we bound zines and handed them out with a little care / thank you pack. The exhibition was in Redcar June - July 2023.

“Grow and Gather is an art exhibition presented by the Redcar Palace, which explores the theme of gardens, allotments, growing and the joy that these spaces and activities can bring. At the heart of this exhibition is a newly commissioned series of photographs by Joanne Coates which pay tribute to growers, cyclists and dog walkers at Zetland Park Allotments in Redcar and the communities that live around them.”

Exhibit space with photographs on dark walls, display boards on pallets, and a bouquet of red flowers in the foreground.

Thank you to James Beeighton and Beth Smith for all the support and being excited by bringing in different elements into the show. Beth and James gave me lots of freedom around curation: Vegetables in the gallery, free fruit and veg for visitors, tips from the community I worked with on life, meals, growing, Flowers from Beth’’s own allotment, using farm crates to create a show, an enclosure themed window by the artist Sarah Jarman. It was exciting to really think of the space and what we could do to bring the outside in.

Display titled 'TIPS' with a wooden board covered in handwritten notes, on a black wall, next to a wooden chair and a small white pedestal with a plant.

I’m excited to have access to a hot desk at Newbridge Studios in Newcastle. I use a barn space as a studio working from there when I can but it is an empty dishevelled barn that in winter is unbearably cold. (It’s not a fancy barn!) What it means is I can explore working in the landscape, scale of works and how works engage with nature. If you fancy a meeting in Newcastle I can come and share work with you somewhere warmer and more accessible for most. Being a very rural artist can be hard. I’m excited to be part of Newbridge’s Collective studio programme and meet other artist’s in the region.

An old stone barn with a large printed banner hanging on the front, surrounded by grassy fields and trees in the background, during daytime.

The barn on the farm.

Two news anchors, a woman in a blue dress sitting on a desk and a man in a suit standing nearby, in a television news studio with cityscape images on large screens behind them.

Itv visited us at Ormesby hall to meet some of the Sheroes I photographed and to see the work on display. Lovely feature with the amazing Zak and Christine who took part in the series.

A woman sitting in a grassy field with ferns, holding a skateboard, wearing a mint green jacket and a patterned scarf, with a hillside and sky in the background.

Shazia, Photographed in her chosen location of Roseberry topping for ‘Sheroes’ A borderlands Creative people and places commission.

Article and review of the outdoor art installation at Langdon Beck. Bringing work and showing it within the communities and context it was made is vital.

A wide view of a rural landscape with green grass, some houses, and a cloudy sky above.
A large rectangular mirror on two wooden posts in a grassy field reflects a hilly landscape with cars on a winding road and an overcast sky, blending into the real landscape behind.

I am increasingly bringing my practice into the spaces I work with outdoor installations both Urban and Rural. This show at Langdon Beck was a bringing the story to the community it was set in whilst reaching tourists who visit the area.

Review of outdoor installation in the North Pennines https://www.culturednortheast.co.uk/2023/05/16/exhibition-herdship-by-joanne-coates/

BBC News Herdship https://www.bbc.co.uk/news/uk-england-tees-65582079

https://www.chroniclelive.co.uk/whats-on/arts-culture-news/farm-photographs-go-display-landscape-2692709

A commission for Bloomberg. I went to Middlesbrough to response to crime statistics.

Construction site of a new Nissan gigafactory in Sunderland with a blurred empty car carrier trailer passing by in the foreground.

Sunderland industry for Bloomberg

A large tree with few leaves in a park, with construction equipment and workers in the background, and a manicured lawn in the foreground.

A focus on rural North Cumbria and higher interest rates for Bloomberg

A woman with red hair wearing a white dress with gold embroidery, standing in front of a wall with black and white photographs of women by a body of water.

A year in review! 2022 ‘how was it for you?’ Interview with A-n on what I have been up to. https://www.a-n.co.uk/news/2022-how-was-it-for-you-1-joanne-coates/

A beautiful film by the very talented Piotr Sell about making work in the North East of England, focusing on The Lie of the Land. https://photoworks.org.uk/jpa-joanne-coates/

Interview with the lovely NEPN https://northeastphoto.net/news/joanne-coates-interview/

Creating space for Authentic identities article on British journal of Photography https://www.1854.photography/2022/10/joanne-oates-and-heather-agyepong-create-space-for-their-authentic-identities/

Reframing. Reclaiming at The Arthouse Wakefield. Working with Hannah Starkey and making work around farm labour and gender. https://the-arthouse.org.uk/exhibitions/reframing-reclaiming/

Speaking with Ben Smith on A Small voice podcast listen here https://bensmithphoto.com/asmallvoice/joanne-coates

Editorial Photographers today showcase http://www.epuk.org/showcase/female-farmers-in-rural-britain-by-joanne-coates

Work around females labour in rural spaces with accompanying sound piece at The Art House Wakefield October 2022 - February 2023

A woman lying on the top of a large hay bale in a field with several other hay bales in the background and cloudy sky.
Screenshot of BBC Radio 4 Women's Hour webpage featuring a woman with dark hair and a white shawl, speaking into a handheld mirror. The webpage includes episode details and a list of recent and upcoming episodes.

A huge honour to be on women’s hour talking about women in Agriculture. A dream! Link HERE

Our Country Lives exhibition at Bowlees visitor centre 2022. Working with young people in rural upper Teesdale on what it means to grow up in a space increasingly changing

A huge thank you to the BBC In Pictures team or featuring the Daughters of the Soil work on their site and homepage.

Proper honoured to have my image on the cover of this important book by Menelaos Gkartzios. An important read!

a female florist and farmer looks out towards the land.

Solo Show at The Gymnasium gallery, Berwick-Upon Tweed. Till June 5th 2022.

Talking about rurality with It’s nice that. For so long I thought artists who worked in the countryside could only be outsiders, towns folk who go in and out. Since studying I’ve always explored rurality. My final project whilst at The university of the arts in 2015 was focused on the eerie aspects of the countryside, but exploring how it feels to leave and come back (See the Liznojan project for more information.) I love Liz Gorny’s words here and she totally grasped the work. https://www.itsnicethat.com/articles/joanne-coates-photography-040322

A field with a large stack of hay bales in the middle under a partly cloudy sky.

Really lovely to speak to the talented writer Ellie Howard about Women in farming Residency with Maltings and Newcastle University. Featured in the British Journal of Photography early 2021. https://www.1854.photography/2020/12/joanne-coates-gender-inequality-farming/

What an experience! I worked with Ian over at Another Place press on this zine around my series North Sea Swells. There was two print runs and both SOLD OUT! I’m overwhelmed. Thank you so much for all your continued support. It was a lovely way of getting this work around masculinity, class, fishing and rural places out there!

I finally entered Portrait of Britain for the first time. They offered reduced price and that was me able to commit. I’m so happy to be one of the winners this and have the work shown across the UK. Especially to focus on my portrait of Ian, the youngest white fish skipper in the UK. Have a look at all the winners here: https://www.1854.photography/2020/08/portrait-of-britain-2020-the-winners/

A massive thank you to mega talented writer Kerry Manders for the interview over on Women Photograph https://www.womenphotograph.com/news/2018/12/9/women-talk-joanne-coates

Really honored to be interviewed by the brilliant writer Eli over on Mere Mortal. Eli is doing brilliant work across the UK. Speaking to working class photographers and writing about images. One of my favourite interviews to date. https://meremortalmag.wixsite.com/meremortalmag/blog/joanne-coates-women-in-photography

Maalie LP cover for Musician Erland Cooper.

Maalie' is the first taste of Erland Cooper's upcoming solo album, his first away from The Magnetic North and Erland And The Carnival, the projects he has been a part of over the last five years or so.

Having grown up in the Scottish archipelago of Orkney, he wrote this track as a response to the anxiety and claustrophobia that he feels comes with working and living in a city. 'Maalie' takes its name from the local 'Orcadian' dialect for the gull-like Fulmar, a grey and white seabird that's related to the albatross. An image from the series We Live by that water was used for this cover.

Maalie LP cover for Musician Erland Cooper.Maalie' is the first taste of Erland Cooper's upcoming solo album, his first away from The Magnetic North and Erland And The Carnival, the projects he has been a part of over the last five years or so.Havin…
"Following four distinguished photographers at work on four very different photo shoots, exploring both sides of the story: the process of photographing and of being photographed.It seems like we're all photographers now, and never have more photogr…

"

Following four distinguished photographers at work on four very different photo shoots, exploring both sides of the story: the process of photographing and of being photographed.

It seems like we're all photographers now, and never have more photographs been taken - events documented, lives snapped, moments frozen. With high quality cameras in most back pockets these days, it's been estimated that a trillion photographs will be taken this year.

What are we doing when we point a camera at something - and why?

In this series we get behind the lens, as we hear about the process and practice of professional photographers. What motivates them? What are they trying to capture? Which shots work best?

And, crucially, what do they think they're doing?

This programme follows the photographer Joanne Coates as she continues her on-going project documenting the fishing industry around the UK. She returns to Poole in Dorset, where she goes out with the fishermen Annie and Ian Gilbert on their boat the Happy Hooker.

Each programme will be accompanied by an on-line gallery of photographs.

Producer: Martin Williams."

http://www.bbc.co.uk/programmes/b09hr3bv

http://www.bbc.co.uk/programmes/b09hr3bv
Two page Feature on the series North Sea Swells in the Scotsman 3rd December 2017

Two page Feature on the series North Sea Swells in the Scotsman 3rd December 2017

Front Cover of the Yorkshire Post and Three page feature on North Sea Swells

Front Cover of the Yorkshire Post and Three page feature on North Sea Swells

http://www.bbc.co.uk/news/resources/idt-sh/fishing_when_the_boat_comes_in
http://www.bbc.co.uk/news/resources/idt-sh/fishing_when_the_boat_comes_in
Screen Shot 2017-08-22 at 15.42.11.png
http://www.bjp-online.com/2017/06/filmisnotdead/
http://www.c41magazine.it/joanne-coates-liznojan/

http://www.c41magazine.it/joanne-coates-liznojan/

http://www.bbc.co.uk/news/in-pictures-38249308
http://theoldgirlsclub.uk/island-life-vs-life-island-joanne-coates/
https://photoscratch.org/2017/05/18/joanne-coates/

https://viewfind.com/story/north-sea-swells

http://theislandreview.com/content/orkney-photography-joanne-coates-fishing-landscape-sea-ocean

http://fishonfriday.org.uk/the-plight-of-the-fishermen/

https://mpora.com/bmx/teenage-girls-bmx-racing

http://ohcomely.co.uk/shop-2/issue-35-strength

http://www.bbc.co.uk/news/in-pictures-38249308

 https://www.photograd.co.uk/blog/2016/12/1/joanne-coates-hothouse-birmingham

https://edgeofhumanity.com/2016/10/21/fishing/

https://www.life-framer.com/still-life-editors-picks/

https://www.photograd.co.uk/photograd-blog/2016/10/24/future-photograd-joanne-coates

http://www.shootfilm.uk/single-post/2017/03/01/Featured-Artist-Joanne-Coates

https://www.photograd.co.uk/photograd-blog/2016/10/21/photograd-experience-joanne-coates

http://www.homeofmillican.com/thecave/2016/09/traveller-series-a-poetic-perspective.html

https://suitcasemag.com/travel/explore/why-go-to-orkney-islands-scotland/

http://newlandscapephotography.com/2015/10/01/joanne-coates/

http://www.orkney.com/whats-new/joanne-coates

http://www.fleurandarbor.com/blog/2016/2/5/guest-post-joanne-coates-the-colour-of-blue?rq=joanne%20coates

http://dontpaniconline.com/magazine/arts/joanne-coatess-spider-island

https://www.photograd.co.uk/joanne-coates/

http://www.fleurandarbor.com/joanne-coates/

http://www.phosmag.com/2015/11/24/joanne-coates/

http://blog.leica-camera.com/2016/05/30/a-sense-of-place/

http://thisiscentralstation.com/featured/joanne-cotes/

http://www.poolresourceszine.com/features/joanne-coates-liznojan

http://hashtagphotomag.tumblr.com/post/147306333116/joanne-coates-liznojan

http://www.perdizmagazine.com/como-perder-el-camino-para-perderse-a-uno-mismo/#top

http://www.ofthelandandus.co/post/127469880020/today-were-featuring-young-photographer-joanne

http://tripmag.co.uk/liznojan/

http://blogs.arts.ac.uk/london-college-of-communication/2015/06/02/summer-shows-2015-spotlight-on-ba-hons-photography/

http://arts-su.tumblr.com/post/121116161109/lcc-show-one-joanne-coates

http://joannecoates.tumblr.com/post/133459754592/lil-feature-on-my-work-in-the-new-pylot-magazine

https://www.creativereview.co.uk/lpa-student-challenges-201415-challenge-2/

 
A body of water with snow or ice particles falling on the surface, under a mostly cloudy sky.